Arts Leadership Crisis Or Dawn Of New Era? TBI Investigates
This article was created for The Big Idea Change is inevitable. Resistance to that is futile - especially since the early months of 2020. But the creative sector is going through a level of movement among top tier decision-makers, administrators and creative directors which is beyond any usual metric of change. Even in these unusual times. Since we brought up this changing of the guard in The Lowdown a few weeks ago, there have been more and more influential names either announcing their departures from key organisations or trying to slink away in the background. Courtney Sina Meredith is standing down as Director of Tautai, Elyssia Wilson-Heti’s vacating her role as Auckland Pride’s Creative Director and James O’Hara has left his post as Co-Artistic Director of Ne
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Attention: Sarjeant’s Major boost
A multi-million dollar investment from the Government is the perfect birthday present for a Whanganui gallery’s milestone celebrations. On Friday it was announced that Sarjeant Gallery would receive a $12 million dollar investment from the Government’s Provincial Growth Fund (PGF) for an exciting redevelopment project. This coincided with the Gallery’s 100th birthday celebration, and means there will be plenty of opportunities ahead to inspire the next generation of budding artists. Driving creative industries in the provinces Local artist Glen Hayward says: “There is an extraordinary art community that is connected to Whanganui.” “This will create a space and platform that continues the professional development of the resident artists and encourage quality projects
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Ink, iron and everything in between: Graham Tipene’s wide influence
Artist Graham Tipene’s involvement in the bringing the Māori world, Te Ao Māori, to Tāmaki Makaurau has made him one of the most sought-after contributors to crown and council led projects. When people refer to Graham Tipene as a tattoo artist, he usually lets it slide. He understands it’s a sweeping term that makes it easier for the layperson to comprehend. That is until they enter his studio. Then he sets them straight on tā moko. “Tā moko has geneology, history, whakapapa and connection to the land and people,” Tipene explains. “Tattooing is sometimes just a pretty picture and skin. We don’t give people a book for them to choose number 25 in red...” Tipene takes his art seriously – and it’s easy to understand why. His designs are both figuratively
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How to unlock your invisible CV
The business world, we are told, is a cut-throat place. Eat or be eaten. With the added threat of automation, there is often trepidation in entering this competitive arena. However, what if your greatest weapon wasn't your proven work record, but your ability for empathy and being, well, a decent person? Let’s call it your “invisible CV” - the talents that make you more hireable and more desirable but have long been difficult to put down on paper. In essence, talking up these skills goes against the typical humble Kiwi personality. The creative sector is a very tightly knit one. What used to be 6 degrees of separation is now more like one, thanks to social media and to Kiwis spreading their wings around the globe. Automation and Artificial Intel
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From the popular to the creative: a night at the Silver Scrolls
In a world of popularity contests and plastic entertainment, events like the APRA Silver Scrolls shine out like a beacon in tribute to creativity. This night inspires artists to push the boundaries and think with no box rather than just outside the box of music. Artistic driven, led, and voted on by peers, creatives are validated on their work and others are inspired. The Silver Scrolls hold a deep history of amazing artists to its name, from the likes of Lorde in recent years to Don McGlashan, Dave Dobbyn, Che Fu and Nesian Mystik inspiring generations of New Zealand music. APRA Silver Scroll winner Marlon Williams recalls “I’ve been coming to the Scrolls on and off since I was 18. I’m no stranger to the excitement and the glory and the incredible list of songwriters th
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